{"resource_id":9013,"title":"饮冰室评词","format":"md","encoding":"utf-8","chapters":[{"id":"chapter-1","title":"飲冰室評詞 [清] 梁啟超","sections":[{"id":"chapter-1-section-1","title":"正文","paragraphs":["乙卷　北宋詞","〈燕山亭〉　裁剪冰綃","昔人言宋徽宗為李後主後身，此詞感均頑豔，亦不減簾外雨潺潺諸作。","〈蝶戀花〉　誰道閒情拋棄久","稼軒〈摸魚兒〉起處從此奪胎，文前有文，如黃河伏流，莫窮其源。","〈臨江仙〉　夢後樓臺高鎖","康南海謂起二句，純是華嚴境界。","〈桂枝香〉　登臨文目","李易安謂介甫文章似西漢，然以作歌詞，則人必絕倒。但此作卻頡頏清真、稼軒，未可謾詆也。","〈八聲甘州〉　對蕭蕭暮雨灑江天","飛卿詞照花前後鏡，花面交相映。此詞境頗似之。","〈浣溪沙〉　漠漠輕寒上小樓","奇語。","〈蘭陵王〉　柳陰直","斜陽七字，綺麗中帶悲壯，全首精神提起。","〈大酺〉　對宿煙收","流潦妨車轂等語，託想奇拙，清真最善用之。","〈滿庭芳〉　風老鶯雛","最頹唐語，卻最含蓄。","〈夜飛鵲〉　河橋送人處","兔葵燕麥二句，與柳屯田之曉風殘月，可稱送別詞中雙絕，皆鎔情入景也。","〈西河〉　佳麗地","張玉田謂清真最長處，在善融化古人詩句如自己出，讀此詞可見此中三昧。","〈菩薩蠻〉　綠蕪牆遶青苔院","亡友陳通父最賞此語。","〈好事近〉　搖首出紅塵","五詞飄飄有出塵想，讀之令人意境翛遠。","〈聲聲慢〉　尋尋覓覓","此詞最得咽字訣，清真不及也。","〈漁家傲〉　天接雲濤連曉霧","此絕似蘇辛派，不類《漱玉集》中語。","丙卷　南宋詞","〈青玉案〉　東風夜放花千樹","自憐幽獨，傷心人別有懷抱。","〈念奴嬌〉　野塘花落","此南渡之感。","〈破陣子〉　醉裡挑燈看劍","無限感慨，哀同甫亦自哀也。","〈賀新郎〉　綠樹聽啼","〈賀新郎〉調以第四韻之單句為全首筋節，如此最可學。","〈賀新郎〉　鳳尾龍香撥","琵琶故事，網羅臚列，亂雜無章，殆如一團野草。惟其大氣足以包舉之，故不覺粗率。非其人勿學步也。","〈摸魚兒〉　更能消幾番風雨","迴腸蕩氣，至於此極。前無古人，後無來者。","〈菩薩蠻〉　鬱孤臺下清江水","〈菩薩蠻〉如此大聲鏜鞳，未曾有也。","〈鷓鴣天〉　枕散溪堂冷欲秋","譚仲修最賞此二語，謂學詞者當於此中訊息之。","〈玲瓏四犯〉　疊鼓夜寒","與清真之斜陽冉冉春無極，同一風格。","〈絳都春〉　鞦韆倦倚","陳通甫最賞之，謂其怨而不怒。","丁卷　國朝詞","〈賀新郎〉　萬事催華髮","鳥之將死，其鳴也哀，梅村固知自愛者。","〈疏影〉　空庭雨積","體物入微，碧山卻步。","附　錄　北宋詞","〈賣花聲〉　木葉下君山","麥丈雲：聲可裂石。","南宋詞","〈好事近〉　凝碧舊池頭","麥丈雲：賦體如此，高於比興。","〈鵲橋仙〉　茅簷人靜","麥丈雲：當有所刺。","〈水調歌頭〉　萬里雲間戍","麥丈雲：菊坡雖不以詞名，然此詞豪邁，何減稼軒。","〈謁金門〉　風不定","麥丈雲：靜境妙觀。","〈念奴嬌〉　鬧紅一舸","麥丈雲：俊語。","〈長亭怨慢〉　漸吹盡枝頭香絮","麥丈雲：渾灝流轉，奪胎稼軒。","〈八歸〉　芳蓮墜粉","麥丈雲：全首一氣到底，刀揮不斷。","〈雙雙燕〉　過春社了","麥丈雲：諷刺。","〈步蟾宮〉　東風又送酴酉縻信","麥丈雲：本色語。","〈高陽臺〉　修竹凝裝","麥丈雲：穠麗極矣，仍自清空。如此等詞，安能以七寶樓臺誚之。","〈八聲甘州〉　渺空煙四遠","麥丈雲：奇情壯採。","〈湘春夜月〉　近清明","麥丈雲：時事日非，無可與語，感喟遙深。","〈高陽臺〉　淺萼梅殘","麥丈雲：此言半壁江山，猶可整頓也。眷懷君國，盼望中興，何減少陵。","〈大聖樂〉　嬌綠迷雲","麥丈雲：此刺群小競進，慨天下之將亡也。憂時念亂，往復低迴。","〈高陽臺〉　接葉巢鶯","麥丈雲：亡國之音哀以思。","國朝詞","〈虞美人〉　無聊笑捻花枝說","麥丈雲：俊句。","以上梁啟超評詞及附錄麥孟華評詞，均見梁令嫻《藝蘅館詞選》。甲卷唐五代詞無梁啟超評，故略。"]}]}],"toc":[{"id":"chapter-1-section-1","chapter_title":"飲冰室評詞 [清] 梁啟超","section_title":"正文","is_available":true}],"plain_text":"# 飲冰室評詞 [清] 梁啟超\n乙卷　北宋詞\n〈燕山亭〉　裁剪冰綃\n昔人言宋徽宗為李後主後身，此詞感均頑豔，亦不減簾外雨潺潺諸作。\n〈蝶戀花〉　誰道閒情拋棄久\n稼軒〈摸魚兒〉起處從此奪胎，文前有文，如黃河伏流，莫窮其源。\n〈臨江仙〉　夢後樓臺高鎖\n康南海謂起二句，純是華嚴境界。\n〈桂枝香〉　登臨文目\n李易安謂介甫文章似西漢，然以作歌詞，則人必絕倒。但此作卻頡頏清真、稼軒，未可謾詆也。\n〈八聲甘州〉　對蕭蕭暮雨灑江天\n飛卿詞照花前後鏡，花面交相映。此詞境頗似之。\n〈浣溪沙〉　漠漠輕寒上小樓\n奇語。\n〈蘭陵王〉　柳陰直\n斜陽七字，綺麗中帶悲壯，全首精神提起。\n〈大酺〉　對宿煙收\n流潦妨車轂等語，託想奇拙，清真最善用之。\n〈滿庭芳〉　風老鶯雛\n最頹唐語，卻最含蓄。\n〈夜飛鵲〉　河橋送人處\n兔葵燕麥二句，與柳屯田之曉風殘月，可稱送別詞中雙絕，皆鎔情入景也。\n〈西河〉　佳麗地\n張玉田謂清真最長處，在善融化古人詩句如自己出，讀此詞可見此中三昧。\n〈菩薩蠻〉　綠蕪牆遶青苔院\n亡友陳通父最賞此語。\n〈好事近〉　搖首出紅塵\n五詞飄飄有出塵想，讀之令人意境翛遠。\n〈聲聲慢〉　尋尋覓覓\n此詞最得咽字訣，清真不及也。\n〈漁家傲〉　天接雲濤連曉霧\n此絕似蘇辛派，不類《漱玉集》中語。\n丙卷　南宋詞\n〈青玉案〉　東風夜放花千樹\n自憐幽獨，傷心人別有懷抱。\n〈念奴嬌〉　野塘花落\n此南渡之感。\n〈破陣子〉　醉裡挑燈看劍\n無限感慨，哀同甫亦自哀也。\n〈賀新郎〉　綠樹聽啼\n〈賀新郎〉調以第四韻之單句為全首筋節，如此最可學。\n〈賀新郎〉　鳳尾龍香撥\n琵琶故事，網羅臚列，亂雜無章，殆如一團野草。惟其大氣足以包舉之，故不覺粗率。非其人勿學步也。\n〈摸魚兒〉　更能消幾番風雨\n迴腸蕩氣，至於此極。前無古人，後無來者。\n〈菩薩蠻〉　鬱孤臺下清江水\n〈菩薩蠻〉如此大聲鏜鞳，未曾有也。\n〈鷓鴣天〉　枕散溪堂冷欲秋\n譚仲修最賞此二語，謂學詞者當於此中訊息之。\n〈玲瓏四犯〉　疊鼓夜寒\n與清真之斜陽冉冉春無極，同一風格。\n〈絳都春〉　鞦韆倦倚\n陳通甫最賞之，謂其怨而不怒。\n丁卷　國朝詞\n〈賀新郎〉　萬事催華髮\n鳥之將死，其鳴也哀，梅村固知自愛者。\n〈疏影〉　空庭雨積\n體物入微，碧山卻步。\n附　錄　北宋詞\n〈賣花聲〉　木葉下君山\n麥丈雲：聲可裂石。\n南宋詞\n〈好事近〉　凝碧舊池頭\n麥丈雲：賦體如此，高於比興。\n〈鵲橋仙〉　茅簷人靜\n麥丈雲：當有所刺。\n〈水調歌頭〉　萬里雲間戍\n麥丈雲：菊坡雖不以詞名，然此詞豪邁，何減稼軒。\n〈謁金門〉　風不定\n麥丈雲：靜境妙觀。\n〈念奴嬌〉　鬧紅一舸\n麥丈雲：俊語。\n〈長亭怨慢〉　漸吹盡枝頭香絮\n麥丈雲：渾灝流轉，奪胎稼軒。\n〈八歸〉　芳蓮墜粉\n麥丈雲：全首一氣到底，刀揮不斷。\n〈雙雙燕〉　過春社了\n麥丈雲：諷刺。\n〈步蟾宮〉　東風又送酴酉縻信\n麥丈雲：本色語。\n〈高陽臺〉　修竹凝裝\n麥丈雲：穠麗極矣，仍自清空。如此等詞，安能以七寶樓臺誚之。\n〈八聲甘州〉　渺空煙四遠\n麥丈雲：奇情壯採。\n〈湘春夜月〉　近清明\n麥丈雲：時事日非，無可與語，感喟遙深。\n〈高陽臺〉　淺萼梅殘\n麥丈雲：此言半壁江山，猶可整頓也。眷懷君國，盼望中興，何減少陵。\n〈大聖樂〉　嬌綠迷雲\n麥丈雲：此刺群小競進，慨天下之將亡也。憂時念亂，往復低迴。\n〈高陽臺〉　接葉巢鶯\n麥丈雲：亡國之音哀以思。\n國朝詞\n〈虞美人〉　無聊笑捻花枝說\n麥丈雲：俊句。\n以上梁啟超評詞及附錄麥孟華評詞，均見梁令嫻《藝蘅館詞選》。甲卷唐五代詞無梁啟超評，故略。","is_preview":true,"preview_page_limit":10}