{"resource_id":8936,"title":"唐宋大曲考","format":"md","encoding":"utf-8","chapters":[{"id":"chapter-1","title":"唐宋大麴考　　（近人）王國維 撰","sections":[{"id":"chapter-1-section-1","title":"正文","paragraphs":["海寧王國維"]},{"id":"chapter-1-section-2","title":"●目錄","paragraphs":["正宮調","中呂宮","道調宮","道宮薄媚西子詞"]},{"id":"chapter-1-section-3","title":"排遍第八","paragraphs":[]},{"id":"chapter-1-section-4","title":"排遍第九","paragraphs":["第十攧"]},{"id":"chapter-1-section-5","title":"入破第一","paragraphs":["第二虛催","第三袞遍","第四催拍","第五袞遍","第六歇拍","第七煞袞","薄媚摘遍","大聖樂","南呂官","仙呂宮","黃鐘宮","越調","大石調","雙調","水調歌頭","水調歌頭"]},{"id":"chapter-1-section-6","title":"排遍第一","paragraphs":[]},{"id":"chapter-1-section-7","title":"排遍第二","paragraphs":[]},{"id":"chapter-1-section-8","title":"排遍第三","paragraphs":[]},{"id":"chapter-1-section-9","title":"排遍第四","paragraphs":[]},{"id":"chapter-1-section-10","title":"排遍第五","paragraphs":["排遍第六帶花遍","排遍第七攧花十八","調新水令","採蓮令","採蓮壽鄉詞","延遍","攧遍","入破","袞遍","實催","袞","歇拍","煞袞","小石調","歇指調","林鐘商","中呂調","南呂調","仙呂調","黃鐘羽","般涉調","正平調　無大麴","惜奴嬌曲破","句降黃龍舞","答","遣","句南呂薄媚舞","答","遣","劍舞"]}]},{"id":"chapter-2","title":"唐宋大麴考","sections":[{"id":"chapter-2-section-1","title":"正文","paragraphs":["大麴之名始見於蔡邕女訓曰琴曲小曲五終則止大麴三終則止【太平御覧卷五百五十七】而詳於宋書樂志志曰清商三調平調清調瑟調下列大麴十六一曰東門行二曰折楊栁行三曰艶歌羅敷行四曰西門行五曰折楊栁行六曰煌煌京洛行七曰艶歌阿嘗【一曰飛鶻行】八曰步出夏門行九曰艶歌何嘗行十曰野田黃雀行十一曰滿歌行十二曰步出夏門行【一曰隴西行】十三曰棹歌行十四曰雁門太守行十五曰白頭吟【與棹歌同調】十六曰明月其所以名為大麴者則有說焉郭茂倩曰諸調曲皆有辭有聲而大麴又有艶有趨有亂辭者其歌詩也聲者若羊吾夷伊那何之類也艶在曲之前趨與亂在曲之後【樂府詩集卷二十六】今考之宋書所載如艶歌羅敷行注曰三解前有艶詞曲後有趨則艶與趨均在此三解外矣如艶歌阿嘗四解艶歌何嘗行五解後皆有趨而注云曲前有艶則艶在曲外矣又如魏明帝步出夏門行注云朝游上為艶蹙迫下為趨則艶與趨均在曲內白頭吟五解後復有亂由是觀之以曲之前後又有艶有亂有趨故曰大麴魏書樂志雲太宗增修百戲撰合大麴亦當類此唐人以伊州涼州遍數多者為大麴宋王灼雲凡大麴有散序靸排遍攧正攧入破虛催實催袞遍歇拍殺袞始成一曲謂之大遍【碧雞漫志卷三】沈括亦云所謂大遍者有序引歌■〈翕瓦〉嗺哨催攧袞破行中腔踏歌之類凡數十解每解有數迭者裁截用之謂之摘遍今之大麴皆是裁用非大遍也【夢溪筆談卷五】然則大麴之名自沈約至於兩宋皆以遍數多者為大麴雖淵源不同其義固未嘗有異也","唐時雅樂俗樂均有大麴唐六典注云大樂署掌敎雅樂大麴三十日成小曲二十日清樂大麴六十日大文曲三十日小曲十日燕樂西涼龜茲安國天竺疏勒高昌大麴各三十日次曲各二十日小曲各十日【唐六典卷十四協律郎條】雅樂大麴史無明文唯儀鳳二年太常寺少卿韋萬石奏雲立部伎內破陣樂五十二遍修入雅樂祇有兩遍名曰七德慶善樂七遍修入雅樂祇有一遍名曰九功上元舞二十九遍今入雅樂一無所減【唐會要卷三十二及舊唐書音樂志】則雅樂固有大小曲矣清樂大麴當與宋書樂志所載者略同而燕樂大麴則當同於魏志之大麴今其目之見於崔令欽教坊記者凡四十有六曰踏金蓮曰綠腰曰涼州曰薄媚曰賀聖樂曰伊州曰甘州曰泛龍舟曰採桑曰千秋樂曰霓裳曰玉樹後庭花曰伴侶曰雨霖鈴曰柘枝曰胡僧破曰平翻曰相駞逼曰呂太后曰突厥三臺曰大寳曰一斗鹽曰羊頭神曰大姊曰舞大姊曰急月記曰斷弓弦曰碧霄吟曰穿心蠻曰羅步底曰回波樂曰千春樂曰龜茲樂曰醉渾脫曰映山雞曰昊破曰四會子曰安公子曰舞春風曰迎春風曰看江波曰寒雁子曰又中春曰翫中秋曰迎仙客曰同心結皆燕樂大麴也其詞之存乎今者有涼州歌散序三遍排遍二遍伊州歌排遍五遍入破五遍【均見樂府詩集卷七十九】餘如綠腰甘州泛龍舟採桑千秋樂雨霖鈴柘枝突厥三臺回波樂均存一遍或二遍而已","然唐之大麴固有未盡於令欽所記者舊唐書音樂志謂立部伎內破陣樂五十二遍慶元樂七遍上元舞二十九遍又貞元中昭義節度使王虔休獻繼天誕聖樂凡二十五遍【唐會要卷三十三】以宋人之名名之謂之非大麴不可也又如樂府詩集所載水調歌五遍入破六遍大和五遍陸州歌三遍排遍四遍其遍數之多與伊州梁州無異則亦唐之大麴也","至兩宋大麴宋史樂志載之綦詳志雲宋初置教坊所奏凡十八調四十六曲【按四十六曲乃四十大麴之誤說見後】一曰正官調其曲三曰梁州瀛府齊天樂二曰中呂宮其曲二曰萬年歡劍器三曰道調宮其曲三曰梁州薄媚大聖樂四曰南呂宮其曲二曰瀛府薄媚五曰仙呂宮其曲三曰梁州保金枝延壽樂六曰黃鐘宮其曲三曰梁州中和樂劍器七曰越調其曲二曰伊州石州八曰大石調其曲二曰清平樂大明樂九曰雙調其曲三曰降聖樂新水調採蓮十曰小石調其曲二曰胡渭州嘉慶樂十一曰歇指調其曲三曰伊州君臣相遇樂慶雲樂十二曰林鐘商其曲三曰賀皇恩泛清波胡渭州十三曰中呂調其曲二曰綠腰道人歡十四曰南呂調其曲二曰綠腰罷金鉦十五曰仙呂調其曲二曰綠腰彩雲歸十六曰黃鐘羽其曲一曰千春樂十七曰般涉調其曲二曰長壽仙滿宮花十八曰正平調無大麴小曲無定數以上所載曲數止於四十又正平調下獨雲無大麴則前四十曲為大麴無疑樂志原文出於文獻通考通考正作四十大麴六大兩字字形相近故致訛也陳暘樂書謂聖朝循用唐制分教坊為四部自合四部以為一故樂工不能徧習第以大麴四十為限【樂府卷一百八十八】吳自牧謂汴京教坊大使孟角球曾做雜劇本子葛守誠撰四十大麴【夢粱錄卷二十】元人猶有三千小令四十大麴之說【楊朝英樂府新編陽春白雪卷首】皆其確證也至夢粱錄又有舞四十六大麴之語【卷二十】陳振孫書錄解題歌詞類有五十大麴十六卷張炎詞源有五十四大麴而周密齊東野語謂樂府混成集所載大麴一類凡百餘解【齊東野語卷十】然教坊所肄止於四十茲先考宋志大麴之存於今者然後及他書耳","○正宮調","梁州　梁州亦作涼州洪邁雲涼州今轉為梁州唐人已多誤用【容齋隨筆捲十四】","程大昌雲涼州後遂訛為梁州【演繁露卷七】新唐書禮樂志雲天寶樂曲皆以邊地為名若涼州伊州甘州之類至宋猶存王灼雲涼州排遍餘曾見一本有二十四段【碧雞漫志卷三】","晏幾道小山詞有梁州令二迭五十字歐陽修六一詞有涼州令二迭一百五字當晏詞之四迭而字句稍異晁無咎琴趣外篇有梁州令迭韻一百字則分作四迭均不著宮調王灼雲凡大麴就本宮調製引□慢近令蓋度曲者常態【碧雞漫志卷三】則令詞亦自大麴出也茲錄晁詞以備參考","梁州令迭韻","田野間來慣睡起初驚曉燕樵青走掛小簾鉤南園昨夜細雨紅芳徧　平蕪一帶煙花淺過盡南歸雁俱遠憑欄送目空腸斷","好景難常佔過眼韶華如箭莫教鶗鴂送韶華多情楊柳為把長條絆　清尊滿酌誰為伴花下提壼勸何妨醉臥花底愁容不上春風面【琴趣外篇卷一】","附　金董解元西廂有正宮梁州纏令元曲正宮中有小梁州字句畧同宋宋上交近事會元雲正宮"]}]}],"toc":[{"id":"chapter-1-section-1","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"正文","is_available":true},{"id":"chapter-1-section-2","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"●目錄","is_available":true},{"id":"chapter-1-section-3","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第八","is_available":true},{"id":"chapter-1-section-4","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第九","is_available":true},{"id":"chapter-1-section-5","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"入破第一","is_available":true},{"id":"chapter-1-section-6","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第一","is_available":true},{"id":"chapter-1-section-7","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第二","is_available":true},{"id":"chapter-1-section-8","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第三","is_available":true},{"id":"chapter-1-section-9","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第四","is_available":true},{"id":"chapter-1-section-10","chapter_title":"唐宋大麴考　　（近人）王國維 撰","section_title":"排遍第五","is_available":true},{"id":"chapter-2-section-1","chapter_title":"唐宋大麴考","section_title":"正文","is_available":true}],"plain_text":"# 唐宋大麴考　　（近人）王國維 撰\n海寧王國維\n## ●目錄\n正宮調\n中呂宮\n道調宮\n道宮薄媚西子詞\n## 排遍第八\n## 排遍第九\n第十攧\n## 入破第一\n第二虛催\n第三袞遍\n第四催拍\n第五袞遍\n第六歇拍\n第七煞袞\n薄媚摘遍\n大聖樂\n南呂官\n仙呂宮\n黃鐘宮\n越調\n大石調\n雙調\n水調歌頭\n水調歌頭\n## 排遍第一\n## 排遍第二\n## 排遍第三\n## 排遍第四\n## 排遍第五\n排遍第六帶花遍\n排遍第七攧花十八\n調新水令\n採蓮令\n採蓮壽鄉詞\n延遍\n攧遍\n入破\n袞遍\n實催\n袞\n歇拍\n煞袞\n小石調\n歇指調\n林鐘商\n中呂調\n南呂調\n仙呂調\n黃鐘羽\n般涉調\n正平調　無大麴\n惜奴嬌曲破\n句降黃龍舞\n答\n遣\n句南呂薄媚舞\n答\n遣\n劍舞\n# 唐宋大麴考\n大麴之名始見於蔡邕女訓曰琴曲小曲五終則止大麴三終則止【太平御覧卷五百五十七】而詳於宋書樂志志曰清商三調平調清調瑟調下列大麴十六一曰東門行二曰折楊栁行三曰艶歌羅敷行四曰西門行五曰折楊栁行六曰煌煌京洛行七曰艶歌阿嘗【一曰飛鶻行】八曰步出夏門行九曰艶歌何嘗行十曰野田黃雀行十一曰滿歌行十二曰步出夏門行【一曰隴西行】十三曰棹歌行十四曰雁門太守行十五曰白頭吟【與棹歌同調】十六曰明月其所以名為大麴者則有說焉郭茂倩曰諸調曲皆有辭有聲而大麴又有艶有趨有亂辭者其歌詩也聲者若羊吾夷伊那何之類也艶在曲之前趨與亂在曲之後【樂府詩集卷二十六】今考之宋書所載如艶歌羅敷行注曰三解前有艶詞曲後有趨則艶與趨均在此三解外矣如艶歌阿嘗四解艶歌何嘗行五解後皆有趨而注云曲前有艶則艶在曲外矣又如魏明帝步出夏門行注云朝游上為艶蹙迫下為趨則艶與趨均在曲內白頭吟五解後復有亂由是觀之以曲之前後又有艶有亂有趨故曰大麴魏書樂志雲太宗增修百戲撰合大麴亦當類此唐人以伊州涼州遍數多者為大麴宋王灼雲凡大麴有散序靸排遍攧正攧入破虛催實催袞遍歇拍殺袞始成一曲謂之大遍【碧雞漫志卷三】沈括亦云所謂大遍者有序引歌■〈翕瓦〉嗺哨催攧袞破行中腔踏歌之類凡數十解每解有數迭者裁截用之謂之摘遍今之大麴皆是裁用非大遍也【夢溪筆談卷五】然則大麴之名自沈約至於兩宋皆以遍數多者為大麴雖淵源不同其義固未嘗有異也\n唐時雅樂俗樂均有大麴唐六典注云大樂署掌敎雅樂大麴三十日成小曲二十日清樂大麴六十日大文曲三十日小曲十日燕樂西涼龜茲安國天竺疏勒高昌大麴各三十日次曲各二十日小曲各十日【唐六典卷十四協律郎條】雅樂大麴史無明文唯儀鳳二年太常寺少卿韋萬石奏雲立部伎內破陣樂五十二遍修入雅樂祇有兩遍名曰七德慶善樂七遍修入雅樂祇有一遍名曰九功上元舞二十九遍今入雅樂一無所減【唐會要卷三十二及舊唐書音樂志】則雅樂固有大小曲矣清樂大麴當與宋書樂志所載者略同而燕樂大麴則當同於魏志之大麴今其目之見於崔令欽教坊記者凡四十有六曰踏金蓮曰綠腰曰涼州曰薄媚曰賀聖樂曰伊州曰甘州曰泛龍舟曰採桑曰千秋樂曰霓裳曰玉樹後庭花曰伴侶曰雨霖鈴曰柘枝曰胡僧破曰平翻曰相駞逼曰呂太后曰突厥三臺曰大寳曰一斗鹽曰羊頭神曰大姊曰舞大姊曰急月記曰斷弓弦曰碧霄吟曰穿心蠻曰羅步底曰回波樂曰千春樂曰龜茲樂曰醉渾脫曰映山雞曰昊破曰四會子曰安公子曰舞春風曰迎春風曰看江波曰寒雁子曰又中春曰翫中秋曰迎仙客曰同心結皆燕樂大麴也其詞之存乎今者有涼州歌散序三遍排遍二遍伊州歌排遍五遍入破五遍【均見樂府詩集卷七十九】餘如綠腰甘州泛龍舟採桑千秋樂雨霖鈴柘枝突厥三臺回波樂均存一遍或二遍而已\n然唐之大麴固有未盡於令欽所記者舊唐書音樂志謂立部伎內破陣樂五十二遍慶元樂七遍上元舞二十九遍又貞元中昭義節度使王虔休獻繼天誕聖樂凡二十五遍【唐會要卷三十三】以宋人之名名之謂之非大麴不可也又如樂府詩集所載水調歌五遍入破六遍大和五遍陸州歌三遍排遍四遍其遍數之多與伊州梁州無異則亦唐之大麴也\n至兩宋大麴宋史樂志載之綦詳志雲宋初置教坊所奏凡十八調四十六曲【按四十六曲乃四十大麴之誤說見後】一曰正官調其曲三曰梁州瀛府齊天樂二曰中呂宮其曲二曰萬年歡劍器三曰道調宮其曲三曰梁州薄媚大聖樂四曰南呂宮其曲二曰瀛府薄媚五曰仙呂宮其曲三曰梁州保金枝延壽樂六曰黃鐘宮其曲三曰梁州中和樂劍器七曰越調其曲二曰伊州石州八曰大石調其曲二曰清平樂大明樂九曰雙調其曲三曰降聖樂新水調採蓮十曰小石調其曲二曰胡渭州嘉慶樂十一曰歇指調其曲三曰伊州君臣相遇樂慶雲樂十二曰林鐘商其曲三曰賀皇恩泛清波胡渭州十三曰中呂調其曲二曰綠腰道人歡十四曰南呂調其曲二曰綠腰罷金鉦十五曰仙呂調其曲二曰綠腰彩雲歸十六曰黃鐘羽其曲一曰千春樂十七曰般涉調其曲二曰長壽仙滿宮花十八曰正平調無大麴小曲無定數以上所載曲數止於四十又正平調下獨雲無大麴則前四十曲為大麴無疑樂志原文出於文獻通考通考正作四十大麴六大兩字字形相近故致訛也陳暘樂書謂聖朝循用唐制分教坊為四部自合四部以為一故樂工不能徧習第以大麴四十為限【樂府卷一百八十八】吳自牧謂汴京教坊大使孟角球曾做雜劇本子葛守誠撰四十大麴【夢粱錄卷二十】元人猶有三千小令四十大麴之說【楊朝英樂府新編陽春白雪卷首】皆其確證也至夢粱錄又有舞四十六大麴之語【卷二十】陳振孫書錄解題歌詞類有五十大麴十六卷張炎詞源有五十四大麴而周密齊東野語謂樂府混成集所載大麴一類凡百餘解【齊東野語卷十】然教坊所肄止於四十茲先考宋志大麴之存於今者然後及他書耳\n○正宮調\n梁州　梁州亦作涼州洪邁雲涼州今轉為梁州唐人已多誤用【容齋隨筆捲十四】\n程大昌雲涼州後遂訛為梁州【演繁露卷七】新唐書禮樂志雲天寶樂曲皆以邊地為名若涼州伊州甘州之類至宋猶存王灼雲涼州排遍餘曾見一本有二十四段【碧雞漫志卷三】\n晏幾道小山詞有梁州令二迭五十字歐陽修六一詞有涼州令二迭一百五字當晏詞之四迭而字句稍異晁無咎琴趣外篇有梁州令迭韻一百字則分作四迭均不著宮調王灼雲凡大麴就本宮調製引□慢近令蓋度曲者常態【碧雞漫志卷三】則令詞亦自大麴出也茲錄晁詞以備參考\n梁州令迭韻\n田野間來慣睡起初驚曉燕樵青走掛小簾鉤南園昨夜細雨紅芳徧　平蕪一帶煙花淺過盡南歸雁俱遠憑欄送目空腸斷\n好景難常佔過眼韶華如箭莫教鶗鴂送韶華多情楊柳為把長條絆　清尊滿酌誰為伴花下提壼勸何妨醉臥花底愁容不上春風面【琴趣外篇卷一】\n附　金董解元西廂有正宮梁州纏令元曲正宮中有小梁州字句畧同宋宋上交近事會元雲正宮","is_preview":true,"preview_page_limit":10}