{"resource_id":10449,"title":"国朝画徵录","format":"md","encoding":"utf-8","chapters":[{"id":"chapter-1","title":"國朝畫徵錄　　（清）張庚著","sections":[{"id":"chapter-1-section-1","title":"正文","paragraphs":["秀水張庚浦山著","張庚浦山著作事略見本卷前收浦山論畫一書。國朝畫徵錄有乾隆四年睢州蔣泰湯之昱同校梓祖本，今即據以斷句排印。"]}]},{"id":"chapter-2","title":"敘","sections":[{"id":"chapter-2-section-1","title":"正文","paragraphs":["國朝畫徵錄。餘友秀水彌伽居士所作也。初。餘與居士交不以畫亦不知其善畫，餘於六法固茫然也。及餘從妹倩湯子南溪餘從侄潞相率問業於居士始知其善畫且佳矣然究不知其所以佳也。見居士畫若讀逍遙遊祇見海大魚而已。偶與居士共論史漢乃恍然於畫。夫龍門之紀鉅鹿若哄聲出紙上。會鴻門色色在目。又若信陵之候夷門慶卿之刺祖龍與夫蘭臺傳博陸率群臣於太后前奏昌邑無異懸圖而觀聳神怵目。夫然後恍然於居士之畫果佳矣。即舉似於居士。居士笑日。有是哉。既而讀其所著畫徵錄。其論宗法淵源造詣深淺皆確然有據而評騭不肯輕下一字非深於是者能乎。至若因人以及畫或因畫以及人另具奧旨微意有遺音矣蓋深有得於史也。因臆其畫氣韻不侔耳。然餘於六法固茫然究只見海大魚而已。居士與餘交且十年江山遠隔二千里盍簪為難。因與南溪共校而梓之以慰他年雞鳴風雨之思焉。居士名庚原名燾字溥三。既改今名易浦山為號而字曰公之千又號瓜田逸史又號白苧村桑者近自號彌伽居士。居士幼孤。家酷貧。太夫人節母金針黹自活撫以成立。國家已建坊表。餘有張賢母苦節記。雍正十三年居士以餘再從侄湖北學使者楙原薦應鴻博詔。今年五十有五與餘同康熙乙丑歲生而月後餘有六也。乾隆四年歲在屠維協洽且月。睢陽濯錦池邊跛者蔣泰敘於雲期書屋。","國朝畫徵錄者。錄國朝之畫家徵其跡而可信者著於篇得三卷。凡畫之為餘寓目者幀障之外及片紙尺縑其宗派何出造詣何至皆可一二推識竊以鄙見論著之。其或聞諸鑑賞家所稱述者雖若可信終未徵其跡也概從附錄而止署其姓氏里居與所長之人物山水鳥獸花卉不敢妄加評騭漫誇多聞。夫畫道亦微矣。必好學心知虛懷集益乃能名家垂世以稱畫祖。茲所錄正附若干人其業之足與古大家相抗馳者幾人。然其心思之所注意趣之所在蓋有不可得而泯沒者。又況俟齋與也之儔抱節自貞不能苟祿而藉以賦伐檀乎。後之論六法者由其述而考之庶幾為可徵也夫。雍正十三年歲次乙卯八月中浣。白苧村桑者張庚題於鄂渚試院之山樓。","是錄創始於康熙後壬寅脫稿於雍正乙卯。十餘年間凡三上京師一遊豫章一遊山左再泛江漢三至中州江南則經者數矣。載稿於行筍。凡遇圖畫之可觀者輒考其人而錄之。無妄蔣君一見以為善即欲為餘開雕。餘自愧所見者窄未敢也。戊午之夏復來睢陽南溪湯子見之亦以為當急梓情甚踴躍遂與無妄共成焉。於戲。二君之高義不可沒也。因書之以志感。南溪名之昱號實齊文正公斌孫監丞公沆子。能詩。好畫山水出入董源子久兩家筆極秀穎。以餘為孤竹老馬常持業商之虛懷好學略可見矣。無妄名泰字宗仁鄉賢公奇猷孫中翰公武臣子。博學工詩古文。負氣節慎交遊若意合即比諸金石矣。此古風也。乾隆四年歲次己未五月望日。庚識於蔣氏之雲期書屋。"]}]},{"id":"chapter-3","title":"國朝書徵錄目次","sections":[{"id":"chapter-3-section-1","title":"正文","paragraphs":["八大山人王時敏王撰","丁元公陳洪綬","項聖謨項玉筍項奎魯得之諸升王崿俞俊","張宏金俊明","傅山邵彌","鄒之麟周容","徐枋趙澄","程邃徐柏齡","惲本初","龔賢樊圻吳宏胡造樊雲高蔭鄒坤","顧知藍瑛藍濤","楊芝徐人龍顧升董旭王土","顧樵周燦","餘正元張穆","查士標何文煌","謝彬郭鞏徐易沈韶劉祥生張琦張遠沈紀","戴思望文點","張風蕭雲從孫逸","孟永光黑壽赫頤程正揆","吳偉業王鑑","王鐸","馮源濟馬頎方大猷鄭梁錢朝鼎劉體仁莊同生王崇簡鍾鍔","章詔","王武張漣","陳舒朱捆沈治","王暈惲壽平","楊維聰呂佐李琪枝李含漢","顧大申陸灝華胥","顧昉羅牧","葉陶錢瑞徵","何其仁李鏞焦秉貞冷枚沈喻","朱賓佔劉源金古良顧符積吳賓","汪之瑞周鼐","禹之鼎嚴繩孫","賈鉝杜亮採馮仙湜","宋天麐童原高簡","梅庚佟世晉","王犖程功","王檗宋駿業","顧銘顧見龍濮璜鮑嘉俞素周杲王汶王禧","張子畏柳遇徐玫","吳求吳正周之恆","馬相舜王式昊豫傑姚宋","鮑濟鮑蘭吳諤姚敏修汪樸戴本存吳定","薛宣巢敬周兼","張奇高駿升秦圅李巒","呂學胡鋼","郭昆王樸朱繡","瞿潛尹小埜","吳歷周銓周況周覽","萬弘衟金學堅王鎦","王巘胡湄陸痴嚴怪朱承鍚","王原祁沈宗敬","翁嵩年徐煥然許遇","遲端金質","曹嶽楊晉","呂猶龍許維嶔","蔣廷錫黃鼎","趙曉祝昌","楊恢基蔣深孫緣徐溶","周璕高其佩","馮景夏杜曙","吳應棻馬豫俞兆晟","李世倬馬昂馬衡錢元昌","鄒元鬥吳振武王德普","崔鏏溫儀","張鵬翀沈鳳","上官周李鱔陳撰張□","汪繩煐釋弘瑜","釋弘仁釋覺徵","釋戒聞自扃目存釋靈璧","釋髡殘釋半山一智","釋覆千釋性潔","道顛道人閨秀王端淑","閨秀黃媛介吳氏閏秀顧媚","閨秀徐粲閏秀李因","閨秀陳書閨秀沈彥選","閨秀吳應貞閨秀習忍","附妓女倩扶吳媛豐質"]},{"id":"chapter-3-section-2","title":"附錄","paragraphs":["黎遂球袁樞"]}]},{"id":"chapter-4","title":"國朝畫徵錄","sections":[{"id":"chapter-4-section-1","title":"正文","paragraphs":["八大山人","八大山人有仙才隱於書畫。題跋多奇致不甚解。害法有普唐風格。畫擅山水花鳥竹木。筆情縱恣不泥成法而蒼勁圓睟時有逸氣所謂拙規矩於方圓鄙精研於彩繪者也。襟懷浩落慷慨嘯歌世目以狂。及逢知己十日五日盡其能又何專也。山人江西人。或曰姓朱氏名耷字雪個。故石城府王孫也。甲申後號八大山人。或曰山人固高僧。嘗持八大人覺經因以為號。餘每見山人書畫款題八大二字必聯綴其畫山人二字亦然類哭之笑之。字意蓋有在也。又寧獻王九世孫重容字子莊。亂後隱居南昌之寥洲。能詩工書。善蘭竹小品。","白苧村桑者曰。隆科寶記雲。山人書得董華亭筆意。非是。又云。畫之最佳者松蓮石三品。然亦不止是也。餘遊南昌，裘孝廉曰菊謂餘曰。山人畫筆固以簡略勝。不知其精密者尤妙絕時人。第不能多得耳。至若賈人所持贗本之最惡者。不必眼明人始能辨之。","王時敏王撰","太原王時敏字遜之號煙客。太倉人。相國文肅公鍚爵孫翰林衡子也。資性穎異淹雅博物。工詩文。善書尤長八分而於畫有特慧少時即為董宗伯其昌陳徵君【繼儒】所深賞。於時宗伯綜攬古今闡發幽奧一歸於正方之禪室可備傳燈一宗。真源嫡派煙客實親得之。先是文肅公以暮年抱孫鍾愛彌甚。居之別業以優裕其好古之心故所得有深焉者。家本富於收藏及遇名跡不惜多金購之如李營丘山陰泛雪圖費至二十鎰。每得一秘軸閉閣沉思瞪目不語。遇有賞會則繞床大叫拊掌跳躍不自知其酣狂也。嘗擇古蹟之法備氣至者二十四幅為縮本裝成巨冊載在行笥出入與俱以時模楷。故凡佈置設施鉤勒斫拂水暈墨彰悉有根柢。於大痴墨妙早歲即窮閫奧晚年益臻神化。世之論一峰老人正法眼藏者必歸於公。以蔭官至奉常然淡於仕進優遊筆墨嘯詠煙霞為國朝畫苑"]}]}],"toc":[{"id":"chapter-1-section-1","chapter_title":"國朝畫徵錄　　（清）張庚著","section_title":"正文","is_available":true},{"id":"chapter-2-section-1","chapter_title":"敘","section_title":"正文","is_available":true},{"id":"chapter-3-section-1","chapter_title":"國朝書徵錄目次","section_title":"正文","is_available":true},{"id":"chapter-3-section-2","chapter_title":"國朝書徵錄目次","section_title":"附錄","is_available":true},{"id":"chapter-4-section-1","chapter_title":"國朝畫徵錄","section_title":"正文","is_available":true}],"plain_text":"# 國朝畫徵錄　　（清）張庚著\n秀水張庚浦山著\n張庚浦山著作事略見本卷前收浦山論畫一書。國朝畫徵錄有乾隆四年睢州蔣泰湯之昱同校梓祖本，今即據以斷句排印。\n# 敘\n國朝畫徵錄。餘友秀水彌伽居士所作也。初。餘與居士交不以畫亦不知其善畫，餘於六法固茫然也。及餘從妹倩湯子南溪餘從侄潞相率問業於居士始知其善畫且佳矣然究不知其所以佳也。見居士畫若讀逍遙遊祇見海大魚而已。偶與居士共論史漢乃恍然於畫。夫龍門之紀鉅鹿若哄聲出紙上。會鴻門色色在目。又若信陵之候夷門慶卿之刺祖龍與夫蘭臺傳博陸率群臣於太后前奏昌邑無異懸圖而觀聳神怵目。夫然後恍然於居士之畫果佳矣。即舉似於居士。居士笑日。有是哉。既而讀其所著畫徵錄。其論宗法淵源造詣深淺皆確然有據而評騭不肯輕下一字非深於是者能乎。至若因人以及畫或因畫以及人另具奧旨微意有遺音矣蓋深有得於史也。因臆其畫氣韻不侔耳。然餘於六法固茫然究只見海大魚而已。居士與餘交且十年江山遠隔二千里盍簪為難。因與南溪共校而梓之以慰他年雞鳴風雨之思焉。居士名庚原名燾字溥三。既改今名易浦山為號而字曰公之千又號瓜田逸史又號白苧村桑者近自號彌伽居士。居士幼孤。家酷貧。太夫人節母金針黹自活撫以成立。國家已建坊表。餘有張賢母苦節記。雍正十三年居士以餘再從侄湖北學使者楙原薦應鴻博詔。今年五十有五與餘同康熙乙丑歲生而月後餘有六也。乾隆四年歲在屠維協洽且月。睢陽濯錦池邊跛者蔣泰敘於雲期書屋。\n國朝畫徵錄者。錄國朝之畫家徵其跡而可信者著於篇得三卷。凡畫之為餘寓目者幀障之外及片紙尺縑其宗派何出造詣何至皆可一二推識竊以鄙見論著之。其或聞諸鑑賞家所稱述者雖若可信終未徵其跡也概從附錄而止署其姓氏里居與所長之人物山水鳥獸花卉不敢妄加評騭漫誇多聞。夫畫道亦微矣。必好學心知虛懷集益乃能名家垂世以稱畫祖。茲所錄正附若干人其業之足與古大家相抗馳者幾人。然其心思之所注意趣之所在蓋有不可得而泯沒者。又況俟齋與也之儔抱節自貞不能苟祿而藉以賦伐檀乎。後之論六法者由其述而考之庶幾為可徵也夫。雍正十三年歲次乙卯八月中浣。白苧村桑者張庚題於鄂渚試院之山樓。\n是錄創始於康熙後壬寅脫稿於雍正乙卯。十餘年間凡三上京師一遊豫章一遊山左再泛江漢三至中州江南則經者數矣。載稿於行筍。凡遇圖畫之可觀者輒考其人而錄之。無妄蔣君一見以為善即欲為餘開雕。餘自愧所見者窄未敢也。戊午之夏復來睢陽南溪湯子見之亦以為當急梓情甚踴躍遂與無妄共成焉。於戲。二君之高義不可沒也。因書之以志感。南溪名之昱號實齊文正公斌孫監丞公沆子。能詩。好畫山水出入董源子久兩家筆極秀穎。以餘為孤竹老馬常持業商之虛懷好學略可見矣。無妄名泰字宗仁鄉賢公奇猷孫中翰公武臣子。博學工詩古文。負氣節慎交遊若意合即比諸金石矣。此古風也。乾隆四年歲次己未五月望日。庚識於蔣氏之雲期書屋。\n# 國朝書徵錄目次\n八大山人王時敏王撰\n丁元公陳洪綬\n項聖謨項玉筍項奎魯得之諸升王崿俞俊\n張宏金俊明\n傅山邵彌\n鄒之麟周容\n徐枋趙澄\n程邃徐柏齡\n惲本初\n龔賢樊圻吳宏胡造樊雲高蔭鄒坤\n顧知藍瑛藍濤\n楊芝徐人龍顧升董旭王土\n顧樵周燦\n餘正元張穆\n查士標何文煌\n謝彬郭鞏徐易沈韶劉祥生張琦張遠沈紀\n戴思望文點\n張風蕭雲從孫逸\n孟永光黑壽赫頤程正揆\n吳偉業王鑑\n王鐸\n馮源濟馬頎方大猷鄭梁錢朝鼎劉體仁莊同生王崇簡鍾鍔\n章詔\n王武張漣\n陳舒朱捆沈治\n王暈惲壽平\n楊維聰呂佐李琪枝李含漢\n顧大申陸灝華胥\n顧昉羅牧\n葉陶錢瑞徵\n何其仁李鏞焦秉貞冷枚沈喻\n朱賓佔劉源金古良顧符積吳賓\n汪之瑞周鼐\n禹之鼎嚴繩孫\n賈鉝杜亮採馮仙湜\n宋天麐童原高簡\n梅庚佟世晉\n王犖程功\n王檗宋駿業\n顧銘顧見龍濮璜鮑嘉俞素周杲王汶王禧\n張子畏柳遇徐玫\n吳求吳正周之恆\n馬相舜王式昊豫傑姚宋\n鮑濟鮑蘭吳諤姚敏修汪樸戴本存吳定\n薛宣巢敬周兼\n張奇高駿升秦圅李巒\n呂學胡鋼\n郭昆王樸朱繡\n瞿潛尹小埜\n吳歷周銓周況周覽\n萬弘衟金學堅王鎦\n王巘胡湄陸痴嚴怪朱承鍚\n王原祁沈宗敬\n翁嵩年徐煥然許遇\n遲端金質\n曹嶽楊晉\n呂猶龍許維嶔\n蔣廷錫黃鼎\n趙曉祝昌\n楊恢基蔣深孫緣徐溶\n周璕高其佩\n馮景夏杜曙\n吳應棻馬豫俞兆晟\n李世倬馬昂馬衡錢元昌\n鄒元鬥吳振武王德普\n崔鏏溫儀\n張鵬翀沈鳳\n上官周李鱔陳撰張□\n汪繩煐釋弘瑜\n釋弘仁釋覺徵\n釋戒聞自扃目存釋靈璧\n釋髡殘釋半山一智\n釋覆千釋性潔\n道顛道人閨秀王端淑\n閨秀黃媛介吳氏閏秀顧媚\n閨秀徐粲閏秀李因\n閨秀陳書閨秀沈彥選\n閨秀吳應貞閨秀習忍\n附妓女倩扶吳媛豐質\n## 附錄\n黎遂球袁樞\n# 國朝畫徵錄\n八大山人\n八大山人有仙才隱於書畫。題跋多奇致不甚解。害法有普唐風格。畫擅山水花鳥竹木。筆情縱恣不泥成法而蒼勁圓睟時有逸氣所謂拙規矩於方圓鄙精研於彩繪者也。襟懷浩落慷慨嘯歌世目以狂。及逢知己十日五日盡其能又何專也。山人江西人。或曰姓朱氏名耷字雪個。故石城府王孫也。甲申後號八大山人。或曰山人固高僧。嘗持八大人覺經因以為號。餘每見山人書畫款題八大二字必聯綴其畫山人二字亦然類哭之笑之。字意蓋有在也。又寧獻王九世孫重容字子莊。亂後隱居南昌之寥洲。能詩工書。善蘭竹小品。\n白苧村桑者曰。隆科寶記雲。山人書得董華亭筆意。非是。又云。畫之最佳者松蓮石三品。然亦不止是也。餘遊南昌，裘孝廉曰菊謂餘曰。山人畫筆固以簡略勝。不知其精密者尤妙絕時人。第不能多得耳。至若賈人所持贗本之最惡者。不必眼明人始能辨之。\n王時敏王撰\n太原王時敏字遜之號煙客。太倉人。相國文肅公鍚爵孫翰林衡子也。資性穎異淹雅博物。工詩文。善書尤長八分而於畫有特慧少時即為董宗伯其昌陳徵君【繼儒】所深賞。於時宗伯綜攬古今闡發幽奧一歸於正方之禪室可備傳燈一宗。真源嫡派煙客實親得之。先是文肅公以暮年抱孫鍾愛彌甚。居之別業以優裕其好古之心故所得有深焉者。家本富於收藏及遇名跡不惜多金購之如李營丘山陰泛雪圖費至二十鎰。每得一秘軸閉閣沉思瞪目不語。遇有賞會則繞床大叫拊掌跳躍不自知其酣狂也。嘗擇古蹟之法備氣至者二十四幅為縮本裝成巨冊載在行笥出入與俱以時模楷。故凡佈置設施鉤勒斫拂水暈墨彰悉有根柢。於大痴墨妙早歲即窮閫奧晚年益臻神化。世之論一峰老人正法眼藏者必歸於公。以蔭官至奉常然淡於仕進優遊筆墨嘯詠煙霞為國朝畫苑","is_preview":true,"preview_page_limit":10}